The otherwise tight script by David Ayer features a few too many plot contrivances – particularly one involving a gang of Russians – which belittle stellar performances by Denzel Washington and Ethan Hawke and strong direction by Antoine Fuqua.
A challenging and thoroughly engrossing film from director Steven Soderbergh which masterfully weaves a complicated tale about the war on drugs both at home and abroad.
Proving itself ‘The Godfather’ of animated films, this sequel actually improves on the original. The same wonderful characters are back with a new adventure more moving and original than most live action Hollywood fare.
God bless Mike Leigh for restoring faith in both Gilbert and Sullivan and the film biopic. This is everything ‘Man on the Moon’ is not.
If only I could go back in time to convince myself not to watch this ludicrous time travel yarn which ‘faxes’ a group of uninteresting characters back to the 1300s to screw up the space-time continuum.
Mike Figgis’ magnificent experiment pushes the boundaries of the digital medium with thrilling results.
Julie Taymor’s take on Shakespeare’s least-loved play is visually stunning but wildly uneven. The good news is that this is probably the definitive version of the play. That’s also the bad news.
‘Three Kings’ tells the story of three soldiers who, after the Gulf War has ended, decide to steal a cache of gold which Saddam Hussein as stolen from Kuwait.
Watching the ‘Thomas Crown Affair’ gives no indication of why exactly Hollywood felt the need to remake the 1968 Steve McQueen/Faye Dunaway thriller.
What are Michael Crichton and John McTiernan (both known for sleek, hyper-technical thrillers) doing making a monosyllabic story about 10th century Norse warriors battling a nameless evil horde? The answer is: nothing new.
