This well-crafted, well-intentioned reboot runs hard but never quite finds its stride.
Jennifer Lawrence delivers one of her best performances as a mother in a postpartum haze in the hypnotic new film from director Lynne Ramsay.
Sydney Sweeney gets a chance to surprise audiences with her performance as Christy Martin in this formulaic, but effective, sports biopic.
Yorgos Lanthimos, Emma Stone, and Jesse Plemmons reteam for another outlandish movie that only this director could make.
The latest from director Luca Guadagnino doesn’t add anything new or insightful to the Me Too discussion and it has a tendency to get bogged down in speechifying, but it offers the opportunity to watch distinguished and talented actors spar with each other, which is always a treat.
Channing Tatum’s latest film uses an unusual true crime story as the basis for a bittersweet meditation on loneliness, reinvention, and how we seek belonging.
The latest from Benny Safdie is a jazz-tinged character study of a man chasing his love for violence.
Daniel Day-Lewis returns to the screen anchoring son Ronan’s directorial debut, an often visually mesmerizing exercise relying on emotional echoes and methodical revelations rather than straightforward exposition to offer a haunting, imperfect beauty that will linger long after the credits roll.
In honor of the release of director Paul Thomas Anderson’s 10th feature film, staff reviewer Matt Passantino offers his ranking of the director’s filmography; read on to see where PTA’s latest fits in.
Paul Thomas Anderson adds to his excellent body of work with this genre-defying epic that features stellar work from Sean Penn, Teyana Taylor, and newcomer Chase Infiniti, plus the most nuanced performance Leonardo DiCaprio has delivered in years.
