Richard Linklater’s rotoscopic adaptation of the Philip K. Dick novel is never quite as compelling as the performances and the animation make it out to be.

Charlotte Rampling and her ‘friends’ seek and find carnal pleasure in an unusual arena.

Mildly diverting guest-who-wouldn’t-leave comedy never quite gels but gets a boost from the goofiness of Owen Wilson and the cutesiness of Kate Hudson.

Cacophonous sequel to the 2003 mega-hit is as incoherent as it is unnecessary. Still, that Johnny Depp performance is a keeper.

Michael Kang writes and directs a most unusual trip through the potholes of puberty.

Breezy satire as glossy and superficial as the industry it skewers (and idolizes).

The Man of Steel is back and in fine form thanks to the master of comic book adaptations Bryan Singer.

Potentially good idea – Adam Sandler receives a (literally) universal remote – is given a treatment that vacillates between infantile and maudlin.

Winning documentary about a Seattle girl’s high school basketball team and the coach behind them.

Following in the footsteps of Spellbound comes another competition of the wrongly so-called ‘ordinary’ among us.