In a perfect match of director and subject, artist Julian Schnabel adapts the memoir by late "Elle" editor Jean-Dominique Bauby into a compelling and intense look at one man’s experience with locked-in syndrome.
It’s 1977 in Argentina and innocents are being taken hostage. You’ll know the feeling by the time you exit the theater.
Disjointed tale of a Scottish lad and his beloved sea pet can’t decide if it wants to be uber-preachy or just plain creepy. So it aims for both.
Noah Baumbach’s squirm-inducing, pleasingly catty film is likely to entice viewers – almost in spite of itself.
Philip Seymour Hoffman and Laura Linney are typically superb as a brother and sister brought together to care for their aging father in Tamara Jenkins’ acute, if sometimes sluggish, follow-up to "Slums of Beverly Hills".
Writer/Director Noah Baumbach goes to The Squid and the Whale well again but only fetches a half a pail this time around.
What’s sure to be the breakout indie hit of 2007 (and deservedly so) establishes the voice of screenwriter Diablo Cody and the career of young actress Ellen Page.
In the worst film about a weather pattern since 2005’s "The Fog", Stephen King go-to adapter Frank Darabont launches this dreadful misfire that works as neither horror nor social commentary.
Gently moving adaptation by Marc Forster takes off but never quite soars.
Simple, relentlessly charming fairytale conjures some old-fashioned Mouse House magic – and a star-making turn from Amy Adams.
