P.J. Hogan’s grating comedy shows that racking up extreme credit card debt isn’t cute or charming — who knew?
This year’s Oscar nominees for Short Film Live Action are way below the level we are used to.
It doesn’t take a clairvoyant to predict an unhappy future for “Push”.
This low-brow, cameo-filled celebration of all things “Star Wars” arrives ten years past its prime. But it’s still the best thing to be associated with the franchise in years.
Fine for a night out with the gals, but fails to revamp the running-on-empty romantic comedy genre.
A brutal cartoon of a film that seems as antiquated and out-of-touch as Liam Neeson’s lead character.
Strained, lighter-than-air romantic comedy about a corporate executive who falls for the smalltown, snowbound locals she’s sent to layoff. Like its heroine, it never warms up.
Informative but ultimately dry-as-sand documentary about America’s fiscal woes.
Despite an interesting premise, big-budget effects and an award-winning cast, “Inkheart” falls completely flat. Perhaps it’s true that some things are better left to the imagination.
Bad even for a movie about vampires and werewolves, this “Underworld” prequel should, at the very least, be the final nail in this franchise’s (ahem) coffin.
