The latest from director Luca Guadagnino doesn’t add anything new or insightful to the Me Too discussion and it has a tendency to get bogged down in speechifying, but it offers the opportunity to watch distinguished and talented actors spar with each other, which is always a treat.
Channing Tatum’s latest film uses an unusual true crime story as the basis for a bittersweet meditation on loneliness, reinvention, and how we seek belonging.
The latest from Benny Safdie is a jazz-tinged character study of a man chasing his love for violence.
Daniel Day-Lewis returns to the screen anchoring son Ronan’s directorial debut, an often visually mesmerizing exercise relying on emotional echoes and methodical revelations rather than straightforward exposition to offer a haunting, imperfect beauty that will linger long after the credits roll.
Paul Thomas Anderson adds to his excellent body of work with this genre-defying epic that features stellar work from Sean Penn, Teyana Taylor, and newcomer Chase Infiniti, plus the most nuanced performance Leonardo DiCaprio has delivered in years.
Scarlett Johansson’s directorial debut is a tale of grief and loss that provides a rich leading role for the remarkable June Squibb as her nearly seven decades long acting career shows no signs of slowing down.
Beautiful? Yes. Big and bold? Maybe not so much, but this surreal, fantastical love story still offers a worthwhile cinematic experience.
This aptly named documentary sees director Mike Figgis shadowing filmmaking legend Francis Ford Coppola throughout the making of his perhaps unfairly maligned passion project “Megalopolis.”
This remake of the 1984 classic from Troma Entertainment may break through recent superhero fatigue at the cinema by subverting genre expectations and standing on its own two demented feet.
This remake of 1989’s “War of the Roses” shifts the tone from operatic slapstick to something deeper and more emotionally resonant, and it is absolutely worth seeing.
