Despite the somewhat jarring end, this South Korean film from 1960 is well-paced and acted, beautifully shot in black and white, and interesting thematically, aesthetically and in its appropriation of different genres.
Duncan Jones’ homage to the cerebral science fiction movies of the 1970s, slips into theaters beneath the scanners, sans warp drive flashes and the crunch of terminating footsteps.
In this return to Manhattan – and to his old tricks – Woody Allen finds a perfect representative in Larry David.
Joining the ever-increasing ranks of pointless remakes, this movie marks a low point for nearly everyone involved.
This lobotomized, CW version of “Misery” will leave you begging to be put out of yours.
Ferrell & Co. sully fond childhood memories with an uninspired, vulgar adaptation of the 70s Saturday morning classic.
As forgettable as a night of hard drinking, this frat-level comedy is good for a few laughs but never quite gels.
Sam Raimi goes back to his horror roots with a wildly campy, jump-out-of-your-seat, gross-out, laugh-out-loud Grimm’s fairy tale come to life.
It may be lesser Pixar, but it’s still head and shoulders above other family films this year.
Ironically, this Wayans brothers send-up of the dance-movie genre shows little comic rhythm.
