This middle of the road horror film is foggy mix of disjointed set-ups, unclear payoffs, and incomplete plot expectations.
Art-trash auteur Adrian Lyne is back with his first erotic thriller in two decades, but the man behind “Fatal Attraction” and “9 1/2 Weeks” doesn’t make ’em like he used to.
This self-contained drama boasts a powerful performance by Mark Rylance, and an old-fashioned prestige aesthetic skillfully delivered by first time filmmaker Graham Moore.
This Spielbergian sci-fi release has a pure heart, but it’s execution is a bit of a mess.
This year’s nominees are all very much worth watching.
This supposed dark comedy starts by throwing together a bunch of ideas stolen from other directors and ends up a mess.
Robert Pattinson takes a turn as the Caped Crusader in this new film about Gotham’s most famous vigilante.
Channing Tatum co-directs his first film, which is also a return to leading roles for the actor.
This aptly-named horror movie takes forever to get to the scares but does showcase some impressive interior design choices.
This strangely palatable new romantic comedy is refreshingly familiar, and for 2022 that feels like a win.
