Palme d’Or winner proves that critics can fall victim to mass hypnosis, because no conscious human could have cast a positive vote for this one.

Nicholas Cage drives like a bat out of Hell (literally) in this unapologetically cheesy B-movie.

It’s hard to tell what’s fallen farther: the Farrelly Brothers’ career or the institution of marriage.

Gleeks and Twi-Hards might be satisfied by this alien boy-meets-human girl teen action flick. All others, bring air sickness bags.

Despite its Herculean plot contortions, this latest entry in the American-caught-in-a-foreign-city formula fails to live up to its stolen-identity premise.

The Oscar nominees for Short Film (Live Action) may be as good a bunch as I have ever seen nominated.

This year’s Oscar nominees for Short Film (Animation) are even worse than last year. I didn’t think that was possible. One is great, however, so it might still be worth a view.

"The Eagle" is good enough to make one want to see a sequel ““ and that ain’t too bad.

With a cast of animated garden gnomes in a cheery 3D world of tacky backyard kitsch, the bard himself becomes accessible to a younger audience than ever before in this remarkably perky version of the famed tragedy.

3D action and the James Cameron name can’t save this poorly acted, poorly filmed and poorly timed tale of survival in an underwater cave system.