All articles by Matthew Passantino

The 33rd – yes, we said 33rd – film in the endlessly expanding Marvel Cinematic Universe is a disjointed watch that feels like it was directed in the boardroom.

David Fincher’s latest film doesn’t break any new ground, but this story of a hit man and a job gone wrong gets points for being slick, stylish, and entertaining.

Sofia Coppola’s new film is a return-to-form narratively, but it doesn’t always pack the necessary punch.

BPBS’s newest reviewer Will Bjarnar considers Martin Scorsese’s latest offering and finds that it may be the deepest work of the venerated filmmaker’s career.

BPBS’s coverage of the 2023 New York Film Festival continues with
this capital-G genre picture that oozes charm and has the fingerprints of its director all over it.

BPBS’s coverage of the 2023 New York Film Festival kicks off with a biopic of renowned conductor Leonard Bernstein that proves to be a acting triumph as well as a stratospheric leap forward for visually gifted director Bradley Cooper.

This is a non-Swiftie’s account of seeing “Taylor Swift: The Eras Tour.”

Sometimes an old-fashioned crowd pleaser just works on the basis of its charms.

This new sci-fi epic, the latest Hollywood offering to tackle artificial intelligence, is visually dazzling but narratively lacking.

This retelling of the rise of GameStop’s stock during the thick of the pandemic is effective at recounting that story without ever being a great movie.