A restaurant worker gets hired into the service of a very wealthy family and quickly becomes part of the web that this mini-society has constructed. Great looking, but not much else.
These four vignettes are designed to make you uncomfortable because of their squeamish subject matter. You’ll be uncomfortable, but for a different reason.
A love triangle with the no tension, no comedy, and zero romance. If that appeals to you, you deserve what you get when you see it.
A boy dies and we watch his parents deal with it. What sounds like melodramatic hooey is actually good stuff because of a nice performance by Nicole Kidman, fine writing, and quiet direction.
A colorful character reviews his life through his own flashbacks of his three marriages. Sometimes it’s funny. Other times, it’s a bit strained.
Director Tom Hooper’s fascinating account of a Prince and his stutter during the years leading up to WWII.
The children’s classic is transformed into Nazi rodents taking over Vienna in the 1920s. No, I’m not kidding.
College graduate returns home. She is annnoying. So are her mother and sister. So is everyone else. And not in an entertaining way.
Lisbeth is back and she’s really pissed off this time, in the final chapter of Stieg Larsson’s enormously popular trilogy.
A Brazilian-born New York artist, who uses unusual raw materials, goes to the world’s largest landfill to create a work of art.
