All articles by David Kempler

This collection of short-animation films, some of which are Oscars eligible, is incredibly varied in quality.

Aaron Sorkin’s directorial debut is good stuff even if it’s a little heavy on the dialogue, but that is Sorkin’s calling card.

The great Daniel Day-Lewis has informed everyone that this will be our last chance to watch him on film. What a poor exit to a great career.

Michael Haneke is at it again: he loves showcasing the underbelly of people, and he doesn’t disappoint here. Try and suppress your somewhat evil smile at the end.

Guillermo Del Toro has created a beautiful looking film, filled with great things, that somehow isn’t great.

Anton Yelchin’s final appearance on the big screen is a must-see in an otherwise pretty good take on a very unusual romance.

Watching a man descend into total paranoia is almost as scary as those around him willing to believe anything.

A small town in post World War II Hungary attempts to face its past; aside from ridiculously, overly melodramatic music, it succeeds.

Uneven trashing of the modern art world has some great moments, but not quite enough of them.

Agnès Varda and J.R. travel through France taking gigantic photos of the locals. The locals love it and Varda and JR love it all just as much.